This document is a topical index to all 38 issues of Katúah: Bioregional Journal of the Southern Appalachians.   Katúah: Bioregional Journal of the Southern Appalachians,  later simplified to  Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The eleventh issue of the Katúah Journal focuses on community planning for a sustainable future: what, why, and how. Floyd County in Virginia is highlighted as an example of a progressive community. Authors and artists in this issue include: Judith Hallock, Marnie Muller, J. Linn Mackey, Tom Hendricks, Rob Messick, Will Ashe Bason, Jane Avery-Grubel, Katherine Chantal, Judy Cox, Rob Yard, Cotton, Colleen Redman-Copus, Michael Red Fox, and David Wheeler.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirteenth issue of the Katúah Journal focuses on the theme of death as a natural part of the life cycle and hospice. The feature story is on the Center for Awakening, a hospice founded by Elizabeth S. Callari in Boomer, North Carolina. Authors and artists in this issue include: Marnie Muller, Nena Parkerson, David Wheeler, Turrin Keye, Martha Laurie Overlock, George Ellison, Kalanu, and Rob Messick.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The fifteenth issue of the Katúah Journal focuses on women: Francis Goodrich's settlement work, Lislott Harberts' Forest Care business, midwife Susie McMahan, the Cherokee matriarchal culture and various resources for women in general. Authors and artists in this issue include: Jan Davidson, Patricia Claire Peters, David Wheeler, Angela Griffin, Rob Messick, Ise Williams, Marnie Muller, Tata Andres, Linda Mathis, Colleen Redman-Copus, Martha Tree, Patricia Shirley, Gary Davis, Julia Nunnally Duncan, Donna VanLear,  Marcia Hurlow, John Grey, Donald Morton, and Douglas A. Rossman.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The eighteenth issue of the Katúah Journal focuses on vernacular shelter: log, frame, stone, yurts, earth-shelters, and membrane houses. Authors and artists in this issue include: Sam Gray, Adam Cohen, Greg Olson, Marnie Muller, Scott Bird, Rob Messick, Snow Bear, Rita Sims Quillen, Julia Nunnally Duncan, Michael Hockaday, Rob Messick, Martha Tree, Barbara Kirby, Colleen Redman, Bern Grey Owl, Douglas A. Rossman, David Wheeler, and Christina Morrison.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-third issue of the Katúah Journal focuses on varied topics such as the ancient ways of the first people groups in Appalachia; "Planet Art;" tulip poplar trees; the Black Swan Center; and environmentally-friendly economics. Authors and artists in this issue include: Kim Sandland, Denise Newbourne, David Morris, Doug Elliott, James Rhea, Jerry Trivette, C.B. Squire, Elizabeth Griffin, Gil Leebrick, Michael Hockaday, Sheli Lodge, Rob Messick, David Wheeler, Dolores LaChapelle, Martha Tree, Laura E. Jackson, and Jackie Taylor.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-fourth issue of the Katúah Journal focuses on peace in the mountains: settling controversies; a look at the Oak Ridge Reservation; and promoting peace through community building. Authors and artists in this issue include: David Wheeler, Judith Hallock, Patrick Clark, Richard Lowenthal, Heather Pittillo, Marnie Muller, Rob Messick, Will Ashe Bason, Marnie Muller, Milo Guthrie, Mary de La Valette, "kent," Jim Houser, Charles Rampp, and Melanie Bridges.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-sixth issue of the Katúah Journal focuses on children and parents: their roles in family and in the bioregion. Authors and artists in this issue include: Thomas Berry, Samala Hirst, Ellie Kincade, Linda Metzner, Lucinda Flodin, Martha Perkins, Jan Verhaeghe, Christina Morrison, Karen Watkins, Doug Woodward, Trish Severin, Susan Griesmaier, Aviva Jill Romm, Tom Youngblood-Petersen, Rob Messick, Will Ashe Bason, Jermain Mosely, Marnie Mikell, James Rhea, Martha Tree, and David Wheeler. This issue also features an interview with Bonnie Blue, puppeteer.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-seventh issue of the Katúah Journal focuses on holistic healing: personal and planetary. Authors and artists in this issue include: Richard Lowenthal, David Wheeler, Sam Gray, Doug Aldridge, Rob Messick, Stephen Wing, Lisa Sarasohn, Snow Bear, James Rhea, Kim Sandland, Sandra Fowler, and Susan Adam.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-ninth issue of the Katúah Journal focuses on water quality: the Little Tennessee River watershed; Watts Bar Lake; development in the Great Smokies; and solar composting toilets. Authors and artists in this issue include: Leaf Myczack, David Wheeler, William McLarney, Mary Kelly, Millie Buchanan, Snow Bear, William Miller, Patrick Clark, Paul Gallimore, Buck Young, Rodney Webb, Lee Barnes, Jim Houser, Ed Lytwack, Gaston Siniard, Rob Messick, Bob Clark, Marnie Muller, Marlene Mountain, and Susan Adam.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirtieth issue of the Katúah Journal focuses on regional economics, development, and ecology. Authors and artists in this issue include: David Wheeler, Thomas Power, Rob Messick, Will Ashe Bason, Rodney Webb, Henry Eckler, Griscom Morgan, Snow Bear, Gary Lawless, Jim Clark, Ernest Womick, Millie Sundstrom, Lee Barnes, David Haenke, Richard Lowenthal, Rodney Web, Jim Houser, Charlotte Homsher, Martha Tree, Stephen Petroff, and Rob Leverett.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-first issue of the Katúah Journal focuses on "earth energies" and humans' reconnection with the earth through dowsing; earth healing and Earth Energy workshops; and understanding the Earth grid. Authors and artists in this issue include: David Wheeler, Madeline H. Dean, Joyce Holbrook, Clyde Hollifield, Richard Nester, Charlotte Homsher, Page Bryant, Richard Lowenthal, James Proffitt, Lee Barnes, Jim Houser, Emmett Greendigger, Ivo Ballentine, Rob Messick, David McGrew, George Agricola (1556), Douglas A. Rossman, and Mara.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-second issue of the Katúah Journal is a call for humans to return to a simpler way of life, following in the ways of the Cherokee, or Katúah, tribe. Authors and artists in this issue include: David Wheeler, Barbara Wickersham, Henry Wender, John A. Freeman, Tom Underwood, Lee Barnes, Will Ashe Bason, Ivo Ballentine, Brownie Newman, Robert Johnson, Rob Messick, Bess Harbison, Maxim Didget, Robert Johnson, Emmett Greendigger, Dr. Dennis Scanlin, Deborah James, Leonard Cirino, Melba Bari, and Charlotte Homsher.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.