This document is a topical index to all 38 issues of Katúah: Bioregional Journal of the Southern Appalachians.   Katúah: Bioregional Journal of the Southern Appalachians,  later simplified to  Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The first issue of Katúah: Bioregional Journal of the Southern Appalachians, published in the fall of 1983, sets the platform of the publication which expresses and overall tone of respect and stewardship of the land and all life in it. Topics in this issue include Katúah and its meaning, the world as bioregions, the migration of Ulster Scots to North Carolina, and sustainable practices. Authors and artists in this issue include: Chuck Marsh, Thomas Rain Crowe, Sam Gray, Curtis Wood, Tyler Blethen, Snow Bear, Doug Elliott, George Ellison, and Marnie Muller.

Beginning with Issue 19, Spring 1988, the journal title was shortened to Katúah Journal. The journal was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The second issue of the Katúah Journal focuses on various topics such as black bears, the Pigeon River pollution, effective political involvement, and bioregional citizenship. Authors and artists in this issue include: Martha Tree, J. Linn Mackey, Snow Bear, Marnie Muller, Chuck Marsh, Kathryn Stripling Byer, Sharyn Jayne Hyatt, Gayle Knox, Chip Smith, Van Wormer, and Joseph Chapman.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The fourth issue of the Katúah Journal focuses on topics such as water quality, hydropower, forest management, the 1984 Cherokee reunion in Tennessee, and the 1984 solar eclipse. Authors and artists in this issue include: Sam Gray, Robin Williamson, Michael Heron, Thomas J. Harshbarger, Jerry West, Margaret Kerr, Thomas Rain Crowe, Bennie Lee Sinclair, Clyde Hollifield, Paul Gallimore, Richard Hotaling, Avram Friedman, Jody Segal-Friedman, Jim Wayne Miller, Marnie Muller, J. Mackey, Chuck Marsh, and Robert Zahner.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The eighth issue of the Katúah Journal focuses on the theme of celebration of life and community. Authors and artists in this issue include: David Wheeler, Dan Pittillo, Bill Oldham, Hilda Downer, Donna Obrecht, Barbara Reimensnyder, B.J. Bach, Jay Wentworth, Lowell Hayes, and Thomas Rain Crowe.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The sixteenth issue of the Katúah Journal focuses on the initiations and rituals surrounding the coming of age and the maturation of young people. Authors and artists in this issue include Tata Andres, Snow Bear, Patrick Clark, Maggie Schneider, Rob Messick, Burt Kornegay, Stephaen Delor, Didier Cuzange, David Wheeler, Curry Morris, Doug Silsbee, John Lane, Clyde Osborne, Will Ashe Bason, Michael Hockaday, Nancy Barnhardt, Thomas Dale Cowan, and Mara Bradburn.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The nineteenth issue of the Katúah Journal focuses on springtime, plants, and the New Age movement: gardening with "nature intelligences", rooting blueberries, native plants, and herbal medicine. Authors and artists in this issue include: Michael Hockaday, Clyde Hollifield, Janeice Ray, Lucinda Flodin, Will Ashe Bason, Karen Watkins-Decker, Christina Morrison, Elaine Geouge, Sheli Lodge, Martha Tree, Brian Ellis, Stephen Wing, Diane Yeager, Colleen Redman, Rose Morningstar, and Ellen John.

Beginning this issue, the title of the journal was simplified to Katúah Journal. A quarterly publication, it was published from 1983 to 1993 and was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twentieth issue of the Katúah Journal focuses on preserving wilderness in Appalachia with a look at land trusts, the Preserving Appalachian Wilderness (PAW) proposal, and Cherokee perspective on relating to land. Authors and artists in this issue include: David Wheeler, Gil Leebrick, Marilyn Cade, Christina Morrison, Laurie Pierce, Judith Hallock, Carol Lawrence, Billy Campbell, Nancy Barnhardt, Chip Smith, Martha Tree, Michael Red Fox, John Grey, Rob Messick, and Tony Fisher.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-third issue of the Katúah Journal focuses on varied topics such as the ancient ways of the first people groups in Appalachia; "Planet Art;" tulip poplar trees; the Black Swan Center; and environmentally-friendly economics. Authors and artists in this issue include: Kim Sandland, Denise Newbourne, David Morris, Doug Elliott, James Rhea, Jerry Trivette, C.B. Squire, Elizabeth Griffin, Gil Leebrick, Michael Hockaday, Sheli Lodge, Rob Messick, David Wheeler, Dolores LaChapelle, Martha Tree, Laura E. Jackson, and Jackie Taylor.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-fifth issue of the Katúah Journal focuses on biodiversity and habitat: forest ecosystem, old-growth forest, regional planning, forest devastation, black bears and Eastern panthers, and living green. Authors and artists in this issue include: Sam Gray, Robert Zahner, Laura E. Jackson, David Wheeler, Anna Muir, Julia Nunnally Duncan, Annelinde Metzner, Patrick Clark, Heather Blair, Chip Smith, Lee Kinnaird Fawcett, James Rhea, Rob Messick, Marnie Mikell, Patricia Claire Peters, Mary de La Valette, Sue Adams, Starfire Soledad, Christoph and Mary-Clayton Enderlein, and Morgan Swann,

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-ninth issue of the Katúah Journal focuses on water quality: the Little Tennessee River watershed; Watts Bar Lake; development in the Great Smokies; and solar composting toilets. Authors and artists in this issue include: Leaf Myczack, David Wheeler, William McLarney, Mary Kelly, Millie Buchanan, Snow Bear, William Miller, Patrick Clark, Paul Gallimore, Buck Young, Rodney Webb, Lee Barnes, Jim Houser, Ed Lytwack, Gaston Siniard, Rob Messick, Bob Clark, Marnie Muller, Marlene Mountain, and Susan Adam.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-third issue of the Katúah Journal focuses on Fire: its power and uses. Authors and artists in this issue include: David Wheeler, Vic Weals, Barbara J. Sands, Jan Davidson, David Brewin, Barbara Wickersham, Jeffery Beam, Veronica Nicholas, Rob Messick, Charlotte Homsher, Lee Barnes, Mike Wilbur, Jason Tueller, Rob Leverett, James Rhea, David Earl Williams, Andrew Lehman, Vince Packard, Lynn Fink, Susan Adam, Bray McDonald, and Mark Morris.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-fifth issue of the Katúah Journal focuses on councils and consensus in governance and making decisions for the future. Authors and artists in this issue include: Caroline Estes, Joyce Johnson, Rob Messick, Bear With Runs, Lucinda Flodin, David Wheeler, Stephen Wing, Lee Barnes, Will Ashe Bason, Clear Marks, Karen Fletcher, James Rhea, Rhea Ormond, Ray Barnes, Michael Thompson, Troy Setzler, Taylor Reese, Rebecca Wilson Hicks, Jenny Bitner, and Ahwi Brown.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-eighth, and final, issue of the Katúah Journal focuses on sustainable tourism and transportation that is environmentally and culturally responsible. Authors and artists in this issue include: Marcus L. Endicott, Michal Smith, Lee Barnes, Patrick Clark, Mark Schimmoeller, Billy Jonas, Renee Binder, Charlotte Homsher, Douglas A. Rossman, Robert H. Rufa, David Cohen, Brownie Newman, Jasper Carlton, Danielle Droitsch, Stephen Wing, Jan Adkins, Elizabeth Howard, Denise K. Simon, EarthStar, Wade Buckholts, and Rob Messick.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.