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Katúah Journal Index, 1983-1993

This document is a topical index to all 38 issues of Katúah: Bioregional Journal of the Southern Appalachians  Katúah: Bioregional Journal of the Southern Appalachians,  later simplified to  Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

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Katúah: Bioregional Journal of the Southern Appalachians, Issue 3, Spring 1984

The third issue of the Katúah Journal focuses on topics such as corn and its importance in through the centuries, heirloom seeds and organic farming, and human impact on forests. This issue also includes an interview with then Jackson County (North Carolina) Commissioner, Veronica Nicholas, on power companies and women in politics. Authors and artists in this issue include: R. Otto Wylie, Martha Tree, Thomas Rain Crowe, George Ellison, Judith Hallock, Jody Segal-Friedman, Clyde Hollifield, Robert Zahner, and Snow Bear.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

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Katúah: Bioregional Journal of the Southern Appalachians, Issue 4, Summer 1984

The fourth issue of the Katúah Journal focuses on topics such as water quality, hydropower, forest management, the 1984 Cherokee reunion in Tennessee, and the 1984 solar eclipse. Authors and artists in this issue include: Sam Gray, Robin Williamson, Michael Heron, Thomas J. Harshbarger, Jerry West, Margaret Kerr, Thomas Rain Crowe, Bennie Lee Sinclair, Clyde Hollifield, Paul Gallimore, Richard Hotaling, Avram Friedman, Jody Segal-Friedman, Jim Wayne Miller, Marnie Muller, J. Mackey, Chuck Marsh, and Robert Zahner.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

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Katúah: Bioregional Journal of the Southern Appalachians, Issue 5, Autumn 1984

The fifth issue of the Katúah Journal focuses on topics such as Cherokee sculptor John Wilnoty, Celtic heritage, issues surrounding protecting wilderness areas, and ginseng's role in the mountains. Authors and artists in this issue include: Barbara Reimensnyder, Barbara Singer, John Wilnoty (Wilnota), Phillip Daughtry, Thomas Rain Crowe, Robert Zahner, Marnie Muller, Robbie Gordon, and Chuck Marsh.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

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Katúah: Bioregional Journal of the Southern Appalachians, Issue 9, Fall 1985

The ninth issue of the Katúah Journal focuses on topics such as nuclear energy, pollution and the forests, and other challenges with trees. Authors and artists in this issue include: H. M. Spottswood, Michael Red Fox, Brian Caldwell, Gus Hadorn, Walton B. Smith, David Wheeler, and Thomas Rain Crowe.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

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Katúah Journal, Issue 21, Fall 1988

The twenty-first issue of the Katúah Journal focuses on the history of the American chestnut trees in the Appalachian mountains and a call for their restoration. Authors and artists in this issue include: Scott E. Schlarbaum, Stephen Lewandowski, Lucille Griffin, Taylor Crockett, Kim Sandland, David Wheeler, "Rollo," Martha Tree, Rob Messick, Lucinda Flodin, Pat Montee, John Creech, Barbara Ellet Dail, Bob Henry Baber, and Collen Redman.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

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Katúah Journal, Issue 23, Spring 1989

The twenty-third issue of the Katúah Journal focuses on varied topics such as the ancient ways of the first people groups in Appalachia; "Planet Art;" tulip poplar trees; the Black Swan Center; and environmentally-friendly economics. Authors and artists in this issue include: Kim Sandland, Denise Newbourne, David Morris, Doug Elliott, James Rhea, Jerry Trivette, C.B. Squire, Elizabeth Griffin, Gil Leebrick, Michael Hockaday, Sheli Lodge, Rob Messick, David Wheeler, Dolores LaChapelle, Martha Tree, Laura E. Jackson, and Jackie Taylor.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

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Katúah Journal, Issue 25, Fall 1989

The twenty-fifth issue of the Katúah Journal focuses on biodiversity and habitat: forest ecosystem, old-growth forest, regional planning, forest devastation, black bears and Eastern panthers, and living green. Authors and artists in this issue include: Sam Gray, Robert Zahner, Laura E. Jackson, David Wheeler, Anna Muir, Julia Nunnally Duncan, Annelinde Metzner, Patrick Clark, Heather Blair, Chip Smith, Lee Kinnaird Fawcett, James Rhea, Rob Messick, Marnie Mikell, Patricia Claire Peters, Mary de La Valette, Sue Adams, Starfire Soledad, Christoph and Mary-Clayton Enderlein, and Morgan Swann,

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

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Katúah Journal, Issue 36, Fall 1992

The thirty-sixth issue of the Katúah Journal focuses on wood and its role in mountain life: logging, wood products, and forest stewardship. There is also an announcement that publication of the journal will cease in 1993. Authors and artists in this issue include: Lee Barnes, Frank Hodgin, David Wheeler, Dr. John Wade, Harley Wessman, Nancy McIntyre, Buzz Williams, Robert T. Pershcel, Jesse Jones, Leon S. Minckler, Tucker Windover, Charlotte Homsher, Rob Messick, Julia Vanselow, Frank Vogel, Michael Thompson, Susan Klimczak, Jeff Zachary, Susan Parker Weatherford, Mark Anderson, Hope Walker, and "Pegi."

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

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