This document is a topical index to all 38 issues of Katúah: Bioregional Journal of the Southern Appalachians.   Katúah: Bioregional Journal of the Southern Appalachians,  later simplified to  Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The first issue of Katúah: Bioregional Journal of the Southern Appalachians, published in the fall of 1983, sets the platform of the publication which expresses and overall tone of respect and stewardship of the land and all life in it. Topics in this issue include Katúah and its meaning, the world as bioregions, the migration of Ulster Scots to North Carolina, and sustainable practices. Authors and artists in this issue include: Chuck Marsh, Thomas Rain Crowe, Sam Gray, Curtis Wood, Tyler Blethen, Snow Bear, Doug Elliott, George Ellison, and Marnie Muller.

Beginning with Issue 19, Spring 1988, the journal title was shortened to Katúah Journal. The journal was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The second issue of the Katúah Journal focuses on various topics such as black bears, the Pigeon River pollution, effective political involvement, and bioregional citizenship. Authors and artists in this issue include: Martha Tree, J. Linn Mackey, Snow Bear, Marnie Muller, Chuck Marsh, Kathryn Stripling Byer, Sharyn Jayne Hyatt, Gayle Knox, Chip Smith, Van Wormer, and Joseph Chapman.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The fourth issue of the Katúah Journal focuses on topics such as water quality, hydropower, forest management, the 1984 Cherokee reunion in Tennessee, and the 1984 solar eclipse. Authors and artists in this issue include: Sam Gray, Robin Williamson, Michael Heron, Thomas J. Harshbarger, Jerry West, Margaret Kerr, Thomas Rain Crowe, Bennie Lee Sinclair, Clyde Hollifield, Paul Gallimore, Richard Hotaling, Avram Friedman, Jody Segal-Friedman, Jim Wayne Miller, Marnie Muller, J. Mackey, Chuck Marsh, and Robert Zahner.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The fifth issue of the Katúah Journal focuses on topics such as Cherokee sculptor John Wilnoty, Celtic heritage, issues surrounding protecting wilderness areas, and ginseng's role in the mountains. Authors and artists in this issue include: Barbara Reimensnyder, Barbara Singer, John Wilnoty (Wilnota), Phillip Daughtry, Thomas Rain Crowe, Robert Zahner, Marnie Muller, Robbie Gordon, and Chuck Marsh.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The sixth issue of the Katúah Journal focuses on topics such as Cherokee mythology and art, Winter Solstice ceremonies, log cabin history, mountain farming, and the Horsepasture River. Authors and artists in this issue include: Steve Nelson, Barbara Reimensnyder, Martha Tree, Drew Langsner, Thomas Rain Crowe, William Taylor, Gogisgi/Carroll Arnett, J.Ed Sharpe, B. Oldham, Chuck Marsh, Marilou Awiakta, Chip Smith, and David Liden.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The seventh issue of the Katúah Journal focuses on the culture of economics and work. This issue features an essay on economy by poet, novelist, and environmentalist Wendell Berry. Other authors and artists in this issue include: Donna Obrecht, Elizabeth Squire, Becky Wellborn, Sparrel Wood, Mark Friedrich, Rick Murray, Thomas Rain Crowe, Chip Smith, C. B. Squire, Robert Penn Warren, Barbara Reimensnyder, and Michael Hockaday.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The eleventh issue of the Katúah Journal focuses on community planning for a sustainable future: what, why, and how. Floyd County in Virginia is highlighted as an example of a progressive community. Authors and artists in this issue include: Judith Hallock, Marnie Muller, J. Linn Mackey, Tom Hendricks, Rob Messick, Will Ashe Bason, Jane Avery-Grubel, Katherine Chantal, Judy Cox, Rob Yard, Cotton, Colleen Redman-Copus, Michael Red Fox, and David Wheeler.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The fifteenth issue of the Katúah Journal focuses on women: Francis Goodrich's settlement work, Lislott Harberts' Forest Care business, midwife Susie McMahan, the Cherokee matriarchal culture and various resources for women in general. Authors and artists in this issue include: Jan Davidson, Patricia Claire Peters, David Wheeler, Angela Griffin, Rob Messick, Ise Williams, Marnie Muller, Tata Andres, Linda Mathis, Colleen Redman-Copus, Martha Tree, Patricia Shirley, Gary Davis, Julia Nunnally Duncan, Donna VanLear,  Marcia Hurlow, John Grey, Donald Morton, and Douglas A. Rossman.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The seventeenth issue of the Katúah Journal focuses on black bears: their place and future in southern Appalachia. Authors and artists in this issue include: David Wheeler, Sam Gray, Paul Gallimore, Mike Pelton, Robert McMahan, Jay S. Gertz, Scott Bird, Richard Harrison, Michael Hockaday, Martha Tree, Marnie Muller, Rob Messick, Richard Harrison, William O. McLarney, Bern Grey Owl, Will Ashe Bason, Douglas A. Rossman, and Troy Setzler.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-sixth issue of the Katúah Journal focuses on children and parents: their roles in family and in the bioregion. Authors and artists in this issue include: Thomas Berry, Samala Hirst, Ellie Kincade, Linda Metzner, Lucinda Flodin, Martha Perkins, Jan Verhaeghe, Christina Morrison, Karen Watkins, Doug Woodward, Trish Severin, Susan Griesmaier, Aviva Jill Romm, Tom Youngblood-Petersen, Rob Messick, Will Ashe Bason, Jermain Mosely, Marnie Mikell, James Rhea, Martha Tree, and David Wheeler. This issue also features an interview with Bonnie Blue, puppeteer.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The twenty-ninth issue of the Katúah Journal focuses on water quality: the Little Tennessee River watershed; Watts Bar Lake; development in the Great Smokies; and solar composting toilets. Authors and artists in this issue include: Leaf Myczack, David Wheeler, William McLarney, Mary Kelly, Millie Buchanan, Snow Bear, William Miller, Patrick Clark, Paul Gallimore, Buck Young, Rodney Webb, Lee Barnes, Jim Houser, Ed Lytwack, Gaston Siniard, Rob Messick, Bob Clark, Marnie Muller, Marlene Mountain, and Susan Adam.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirtieth issue of the Katúah Journal focuses on regional economics, development, and ecology. Authors and artists in this issue include: David Wheeler, Thomas Power, Rob Messick, Will Ashe Bason, Rodney Webb, Henry Eckler, Griscom Morgan, Snow Bear, Gary Lawless, Jim Clark, Ernest Womick, Millie Sundstrom, Lee Barnes, David Haenke, Richard Lowenthal, Rodney Web, Jim Houser, Charlotte Homsher, Martha Tree, Stephen Petroff, and Rob Leverett.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-third issue of the Katúah Journal focuses on Fire: its power and uses. Authors and artists in this issue include: David Wheeler, Vic Weals, Barbara J. Sands, Jan Davidson, David Brewin, Barbara Wickersham, Jeffery Beam, Veronica Nicholas, Rob Messick, Charlotte Homsher, Lee Barnes, Mike Wilbur, Jason Tueller, Rob Leverett, James Rhea, David Earl Williams, Andrew Lehman, Vince Packard, Lynn Fink, Susan Adam, Bray McDonald, and Mark Morris.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-fifth issue of the Katúah Journal focuses on councils and consensus in governance and making decisions for the future. Authors and artists in this issue include: Caroline Estes, Joyce Johnson, Rob Messick, Bear With Runs, Lucinda Flodin, David Wheeler, Stephen Wing, Lee Barnes, Will Ashe Bason, Clear Marks, Karen Fletcher, James Rhea, Rhea Ormond, Ray Barnes, Michael Thompson, Troy Setzler, Taylor Reese, Rebecca Wilson Hicks, Jenny Bitner, and Ahwi Brown.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.

The thirty-eighth, and final, issue of the Katúah Journal focuses on sustainable tourism and transportation that is environmentally and culturally responsible. Authors and artists in this issue include: Marcus L. Endicott, Michal Smith, Lee Barnes, Patrick Clark, Mark Schimmoeller, Billy Jonas, Renee Binder, Charlotte Homsher, Douglas A. Rossman, Robert H. Rufa, David Cohen, Brownie Newman, Jasper Carlton, Danielle Droitsch, Stephen Wing, Jan Adkins, Elizabeth Howard, Denise K. Simon, EarthStar, Wade Buckholts, and Rob Messick.

Katúah: Bioregional Journal of the Southern Appalachians, later simplified to Katúah Journal, was published from 1983 to 1993. A quarterly publication, it was focused on the bioregion of former Cherokee land in Appalachia. The early issues of the journal explain the meaning of the Cherokee name, Katúah, and why the editors wanted to view the world through a bioregional lens, rather than political boundaries. A volunteer production, the editors took a holistic view in tackling social, environmental, mental, spiritual, and emotional topics of the day, many of which are still relevant.