Browsing Items (707 total)


With two variants, Horton Barker performs 'Barbara Allen.' Here's the first variant, with a descriptive introduction from Dr. Abrams, from 1941 As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Evelyn Hartley and others perform 'Barbara Allen.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded on Septmeber 26, 1940, Dixie, Ruby, and Roxie Burleson perform 'Barbara Allen.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Laura Timmons performs 'Barbara Allen.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded on June 27, 1940 at the Boone Fiddler's Convention, Ted Reitzle & Charlie Manship perform 'Barbara Allen.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Edith Walker performs 'Barbara Allen.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded on October 26, 1945, Dr. Cratis Williams performs 'Barbara Allen.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

With two recordings, one from September 2, 1944 and the other from August 1945, Uncle Pat Fry performs 'Barbara Allen.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded from the School of the Air program, The Almanacs perform 'The Banks of the Ohio.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded in the early 1940s at the home of Tipton Greene in Boone, NC, McKinley Gragg performs 'The Banks of the Ohio.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded on August 26, 1945, Pat Fry performs 'The Bailiff's Daughter.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded on July 5, 1945, Laura Timmons performs 'Bailiff's Daughter of Islington.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

A.J. Smith performs 'Baby.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Mr. and Mrs. James York perform 'Away in the North Country (No Sign of Marraige).' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded on February 1, 1941, Mr. and Mrs. Johnson perform 'Amazing Grace.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded on July 4, 1941, Mack Crow performs 'Alexander's Ragtime Band.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded on January 31, 1941, Lillian Abrams and Cullen Johnson perform 'Ah, Sweet Mystery of Life.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

Recorded on April 28, 1944, Doyle Pruitt performs 'Adam and Eve.' As part of the Abrams Folksong Collection, this song is one of many songs Dr. W. Amos Abrams recorded from 1938 to 1946 and transcribed in 1973. In most cases, the information provided in the Date field reflects the date the recording was made.

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Sir William and Fair Ellendor

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
One Morning in May

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
John Henry

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The Gipsy's Warning

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Fanny Gray

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Maggie Walker

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The Maiden's Reply

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Barbara Allen

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Billy Grimes

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Pretty Polly

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Pretty Polly

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The Golden Willow Tree

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The Farmer's Curst Wife

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The Farmer's Curst Wife

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Sweet Sally

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Sweet Sally

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Pretty Sally

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Suffolk Miracle - The Richest Girl in Our Town (Lucy Bound)

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Arrow Goodman

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
Our (Arrow) Goodman

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
House Carpenter

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
House Carpenter [Untitled}

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The House Carpenter

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The House Carpenter

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The House Carpenter

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The House Carpenter

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The House Carpenter

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The House Carpenter

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
House Carpenter

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The House Carpenter

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.
The House Carpenter (Said an Old True Love)

This item is part of the W. Amos Abrams Folksong Collection, which includes some 400 individual song titles, most of which have multiple variants. Dr. Abrams recorded songs primarily from the Appalachian region of North Carolina from 1938 to 1946 and transcribed them in 1973. Like the I. G. Greer Collection, the titles contained in Abrams’ collection range from traditional Child Ballads to 19th century popular music to compositions of local origin.