1
50
3
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https://omeka.library.appstate.edu/files/original/fd3d3c89e874a1988cc0c2597e8b4a58.pdf
df8d5e6a363b0304494c2ab534d6270d
PDF Text
Text
TOO LATE
So you 1 ve come back to me~
The old~ old love is living yet.
You 1 ve tried through all these weary years~
Have tried~ but vainly~ to forget.
So now you ve ·come to me once more
Since time at last has made you free~
And offer me again the heart
Whose earthly hopes were bound in me.
1
Corne cleser~ let me see you now;
The chestnut locks are touched with snow~
But 1 tis the same~ the dear old face
I loved so fondly long agoThe same as on that summer day
Bent over me and kissed my brow.
Oh~ happy trusting hour of love!
Ah~ well, it is all over now.
no you must not take my hand.
God never gives us back our youth.
The love, the faith you asked for then
Were yours, dear friend~ in perfect truth.
rEre woman 1 s love and woman 1 s ways
\fake doubt and anguish in my breast~
You left me and my heart is dead
No sound can now disturb its rest.
No~
Forgive you? Do not speak the word~
You never meant to do me wrong.
God sent this anguish to my heart
To help to make me brave and strong.
Farevrell~ I think I love you yet
As friends love friends, God bless you~ dear,
And lead you through the coming years
To whe~e the sky is bright and clear.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
I.G. Greer Folksong Collection
Description
An account of the resource
<p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p>
<p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p>
<p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p>
Greer Document
Scholarly Classification
Randolph, 761
File name
113_LastFarewell_Lyric_02
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Last Farewell, Lyric Variant 02
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
So You've Come Back to Me, You Say, So You've Come Back
Language
A language of the resource
English
Is Part Of
A related resource in which the described resource is physically or logically included.
<a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a>
Format
The file format, physical medium, or dimensions of the resource
PDF
Source
A related resource from which the described resource is derived
<a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a>
Rights
Information about rights held in and over the resource
<a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a>
Contributor
An entity responsible for making contributions to the resource
Greer, I. G. (Isaac Garfield), 1881-1967
Type
The nature or genre of the resource
Text
Subject
The topic of the resource
Folk songs--United States
Unrequited love--Songs and music
Time--Songs and music
Regret--Songs and music
Publisher
An entity responsible for making the resource available
W. L. Eury Appalachian Collection, Appalachian State University
Description
An account of the resource
This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.
Scripto
Transcription
A written representation of a document.
Too Late
So you’ve come back to me,
The old, old love is living yet.
You've tried through all these weary years,
Have tried, but vainly, to forget.
So now you’ve come to me once more
Since time at last has made you free,
And offer me again the heart
Whose earthly hopes were bound in me.
Come closer, let me see you now,
The chestnut locks that are touched with snow,
But ‘tis the same, the dear old face
I loved so fondly long ago—
The same as on that summer day
Bent over me and kissed my brow.
Oh, happy trusting hour of love!
Ah, well, it is all over now.
No, no you must not take my hand.
God never gives us back our youth.
The love, the faith you asked for then
Were yours, dear friend, in perfect truth.
‘Ere woman’s love and woman’s ways
Wake doubt and anguish in my breast,
You left me and my heart is dead
No sound can disturb its rest.
Forgive you? Do not speak the word,
You never meant to do me wrong.
God sent this anguish to my heart
To help make me brave and strong.
Farewell, I think I love you yet
As friends love friends, God bless you, dear,
And lead you through the coming years
The where the sky is bright and clear.
folk song
Last Farewell
So You've Come Back
So You've Come Back to Me
songs and music regret
songs and music time
You Say
-
https://omeka.library.appstate.edu/files/original/4c5254040b548fddc1fc64fb16c183db.pdf
b9171d0e7dd68093f39efa2d47b28379
PDF Text
Text
I'M DREAMING OF THE DAYS OF LONG AGO
I 1 m dreaming of the days of long ago,
As the sunshine and the shadows come and go.
I see the orchard and the hill and the little
brook and mill.
As I'm dreaming of the da~s of long ago.
I ' m dreaming of the woodland and the plainly
beaten path
Of the hoot owl and the caw caw of the crow.
I can see the grapevine swing and the bird
upon her i'ling,
As I ' m dreaming of the days of long ago.
I can hear the whippoorwill in the dusky
twilight still,
And the misic of tre fiddle and the bovl,
I turn with the corn mill crank and I hit
old Morgan's flank
As I'm dreaming of the days of long ago.
I can see the timbertwig as it fairly dances
a jig and the sun kissed apples
Fell down at my feet.
\'/here the sassafras it growed and the good
old cows they lowed.
I can hear the bob white and the pheasants beat,
I see that old log house and farm and the spinning
of the yarn,
By a hand that vanished like the winter snow.
And her look so tenderly as she often told to me
How I'd ponder on the days of long ago.
Just one more among my dreams
Dearer than them all it seems,
As the sunshine and the shadow come and go
As we stood at that old gate and
He whispered will you wait,
Will you love me when you
Dream of long ago.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
I.G. Greer Folksong Collection
Description
An account of the resource
<p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p>
<p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p>
<p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p>
Greer Document
File name
113_ImDreamingOfTheDaysOfLongAgo_copy_ocr
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
I'm Dreaming of the Days of Long Ago, Copy
Language
A language of the resource
English
Is Part Of
A related resource in which the described resource is physically or logically included.
<a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a>
Format
The file format, physical medium, or dimensions of the resource
PDF
Source
A related resource from which the described resource is derived
<a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a>
Rights
Information about rights held in and over the resource
<a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a>
Contributor
An entity responsible for making contributions to the resource
Greer, I. G. (Isaac Garfield), 1881-1967
Subject
The topic of the resource
Folk songs
Memories--Songs and music
Time--Songs and music
Landscapes--Songs and music
Type
The nature or genre of the resource
Text
Publisher
An entity responsible for making the resource available
W. L. Eury Appalachian Collection, Appalachian State University
Description
An account of the resource
This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.
Scripto
Transcription
A written representation of a document.
I'm Dreaming of the Days of Long Ago
I'm dreaming of the days of long ago,
As the sunshine and the shadows come and go.
I see the orchard and the hill and the little
brook and mill.
As I'm dreaming of the days of long ago.
I'm dreaming of the woodland and the plainly
beaten path
Of the hoot owl and the caw caw of the crow.
I can see the grapevine swing and the bird
upon her wing,
As I'm dreaming of the days of long ago.
I can hear the whippoorwill in the dusky
twilight still,
And the music of the fiddle and the bow,
I turn with the corn mill crank and I hit
old Morgan's flank
As I'm dreaming of the days of long ago.
I can see the timbertwig as it fairly dances
a jig and the sun kidsed apples
Fell down at my feet.
Where the sassafras it growed and the good
old cows they lowed.
I can hear the bob white and the pheasants beat,
I see that old log house and farm and the spinning
of the yarn,
By a hand that vanished like the winter snow.
And her look so tenderly as she often told to me
How I'd ponder on the days of long ago.
Just one more among my dreams
Dearer than them all it seems,
As the sunshine and the shadow come and go
As we stood at that old gate and
He whispered will you wait,
Will you love me when you
Dream of long ago.
folk songs
I'm Dreaming of the Days of Long Ago
songs and music landscape
songs and music time
-
https://omeka.library.appstate.edu/files/original/e3b8a5e37abac36b633aff390e481104.pdf
cb0c2a663cef5eee4f83376f77443adf
PDF Text
Text
������
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
I.G. Greer Folksong Collection
Description
An account of the resource
<p>The I. G. Greer Folksong Collection, presented here as part of the Documenting Appalachia digital initiative, consists of approximately 1,100 document pages that comprise more than 300 individual song titles, some with as many as ten distinct variants. The documents in this collection include manuscripts (some written as early as the mid-19th century), typescript transcriptions produced by Dr. Greer’s secretarial staff, and handwritten musical notations. Songs represented herein range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.</p>
<p>Biographical Note. Isaac Garfield Greer (4 December 1881 - 24 November 1967) was a history and government professor for Appalachian State Teacher's College from 1910 to 1932. A native of Watauga County, North Carolina, he was born to Philip and Mary Greer of Zionville and initially worked as a public school teacher and principal until he was hired at Appalachian State Teacher's College. From 1932 to 1948, he worked as superintendent of Mills Baptist Children's Home in Thomasville, North Carolina. From 1948 to 1954, Greer was the Executive Vice-President of the Business Foundation of North Carolina. Greer and his first wife Willie Spainhour had two sons I.G. Greer, Jr. and Joseph P. Greer. Greer's second wife was Hattie O'Briant. Dr. Greer was an avid collector and singer of folk songs. He was a nationally recognized authority of mountain folk music during his lifetime. A bass player, Greer and his wife, who played the dulcimer, performed at various regional school and civic functions. They were recorded singing several folk songs by Library of Congress from 1941 to 1946. Appalachian State Teacher's College dedicated the I.G. Greer Music Hall in 1966. Greer also had an active civic life. He was the president of the Southern Appalachian Historical Association and also served as a Boone City Alderman and in the North Carolina House of Representatives.</p>
<p>Note: University Libraries Special Collections Research Center (SCRC) believes in providing access to the historical record in support of the teaching, learning, and research endeavors of the communities it serves. Users should be advised that, due to the historical nature of some resources, users may encounter language or content that is harmful or difficult to view.</p>
Greer Document
Associated Date
1850
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Builders
Creator
An entity primarily responsible for making the resource
Longfellow, Henry Wadsworth, 1807-1882
Format
The file format, physical medium, or dimensions of the resource
JPEG
Language
A language of the resource
English
Is Part Of
A related resource in which the described resource is physically or logically included.
<a title=" I. G. Greer Folksong Collection" href="https://omeka.library.appstate.edu/collections/show/15" target="_blank"> I. G. Greer Folksong Collection </a>
Source
A related resource from which the described resource is derived
<a href="https://appstate-speccoll.lyrasistechnology.org/repositories/2/resources/197"> AC.113 Isaac Garfield (I.G.) Greer Papers and Recordings </a>
Rights
Information about rights held in and over the resource
<a title="In Copyright - Rights-holder(s) Unlocatable or Unidentifiable" href="http://rightsstatements.org/vocab/InC-RUU/1.0//" target="_blank"> In Copyright - Rights-holder(s) Unlocatable or Unidentifiable</a>
Contributor
An entity responsible for making contributions to the resource
Greer, I. G. (Isaac Garfield), 1881-1967
Type
The nature or genre of the resource
Text
Subject
The topic of the resource
Poetry--United States
Work--Poetry
Architects and builders--Poetry
Time--Poetry
Spatial Coverage
Spatial characteristics of the resource.
<a title= "Portland (Me.)" href=" https://www.geonames.org/4975802/portland.html" target="_blank" rel="noreferrer noopener"> Portland (Me.)</a>
Publisher
An entity responsible for making the resource available
W. L. Eury Appalachian Collection, Appalachian State University
Description
An account of the resource
This item is part of the I. G. Greer Folksong Collection which consists of more than 300 individual song titles and their variants as collected by Isaac Garfield Greer (1881-1967) from informants, primarily in Ashe, Wilkes and Watauga counties. The collection includes manuscripts, typescript transcriptions produced by Dr. Greer’s clerical staff, and handwritten musical notations. Songs range from traditional Child Ballads, traditional English and Scottish ballads as well as their American variants, to 19th century popular music to musical compositions of local origin.
Builders
Henry Wadsworth Longfellow
songs and music time
songs and music workers